I actually can’t quite remember how I first ran across Canadian guitarist Ewan Dobson–whether it was that he got a play on Pandora, or if I stumbled across him on YouTube at one point. Little matter in the end; I find a great deal of interest in what I’ve seen of him so far.
The fella has an enigmatic sense of humor that lends a lot to his credibility. Just check out these three clips from a “method” video of his, in which he explains some of his influences. (“Sauron must be praised!”) In his YouTube presence in general, he’s known for goofy garb and backgrounds. One certainly does not get the sense that he takes himself too seriously, which I find endearing.
And yet I find some of his stuff really compelling. The one which inspired this post, “Paganini’s Hip”, is a piece I intend to study further:
Then there is this enigma “Acoustimetallus Plectrus”, which runs really hard up against the “too many ideas in one sitting” criticism, but which I find insistently interesting nevertheless:
And this tune “Marli”, as a completely different example, is just lovely. (And, of course, makes me want a friggin’ twelve-string all over again!)
LATER: Went in search of a six-string presentation of “Marli”. Found one.
Still a lovely tune, but this thing seems made for octaves. 🙂