So there is at least one human being capable of this:
I’ve been aware of Michael Manring for a while now; I find his solo piece Selene to be one of the most gorgeous pieces of music I’ve ever heard, and in general I think it’s fair to say that his Hyperbass has been a gloriously worthwhile investment. Manring is, for me, firmly in the short list of bassists who have done things that (far as I can tell) nobody did before; he is so far beyond the “best of the Jaco clones” reputation that launched his early career, that he can no longer be dismissed as derivative. If Jaco was the Hendrix of the fretless bass, and Percy Jones something between its Robert Fripp and Fred Frith, then Manring might arguably be something between the Michael Hedges and the John McLaughlin. (To use, you know, comically simplistic analogies. 🙂
Ain’t nobody sounds like him. For that, alone, he earns my respect.
But it’s not that, alone. Just listen to what he does with it! Even watching his hands in real time, it’s still hard to believe, sometimes, that one man with one bass can do that.
A few notes here, about my nascent interest in understanding the proper signal chain for doing the sort of ambient soundscapes that Chords of Orion has introduced to me. For anyone who either happens across this post or who got sent here by me (upon threat of being made to work in the squirrels’ nut mines): I would welcome constructive or enlightening comments to advance my understanding of what is a new area, but one of great interest, to me as a player.
Continue reading The ambient signal chain.
Okay, so based on the ideas I picked up from the first few clips of the Ambient Guitar series at Chords of Orion, I went and tried to see if I could, using the very limited amount of gear I have, create a signal chain that would let me approach the same landscape.
In short: it works!
Continue reading Dipping the toe in ambient.
Bookmarking here what looks to be a major-caliber resource, at least for someone as new to electronics as I am, for approaching the live-looping-delaying universe first called “Frippertronics” and later “Soundscapes”.
So there’s this YouTube channel Chords of Orion, which has this fairly substantial series on the -fu of “ambient guitar”. Installment #1 is here:
I’ve made it up to about #10 in the series thus far, and will be reviewing more soon enough. This fella seems pretty well thought out, and the landscape this suggests is starting to poke at my hindbrain a little more insistently.
Continue reading Ambient guitar resource.