It’s fun when the Crafties in my TwitFace space show me new musicking things. One great example, which deserves further posting, has been an introduction to Petra Haden’s a cappella work, among which she has done more than one King Crimson / Guitar Craft piece. (Check out Hope, Red, and The Sheltering Sky (!); she’s apparently keen to release an album of such that may wind up with the name “Sing Crimson”.)
This clip is of drummer Dan Moore, playing “Blockhead” on Steve Ball’s Tiny Orchestral Moments project, and it immediately made me wistful for GCCO.
Not only is it fun watching Dan, but the entire arrangement is pretty rich. (As in: possibly rich enough to be open to the “ensemble cast film” criticism…but hey, I’m a fanboy and I like it anyway. 🙂 )
Long-time Gaucho and general ace Crafty Steve Ball demonstrates his workhorse Airport Exercise, designed to stretch the fingers and otherwise provide a calisthenic challenge within a simple form. Here, the brilliant addition of the moving bass line is a good reminder that exercises can also be musical, if we listen for it and respond in kind.
The tuning in the video is the Guitar Craft standard tuning, C2-G2-D3-A3-E4-G4, but obviously the core idea could be extended to any tuning with reasonably minor arrangement.
The exercise can be as simple as the core five-note pattern, which systematically stretches the fingers and provides a basic alternate picking challenge (the “1” alternates between an upstroke and downstroke), or as rich as what you see Steve doing here, adding parts, playing with muting, staccato vs. ringing notes, and having the exercise move against ensemble parts like Tony Levin’s added bass.
Bookmarked here for easy reference!